On the compressor, set threshold, ratio, attack and release controls to taste.ģ. Increase the level of the bus sent to the effects return on your vocal or guitar track. Insert a compressor that provides a sidechain input on the effects return auxiliary after the reverb or delay plugin.Īssign the sidechain input within this compressor to the "Dynamic Effect" bus. Insert this bus within your vocal or guitar track's send's section Set the input of this channel to an available stereo bus and Set up an effects return with a reverb or delay plugin inserted: (Set the level of this bus to unity and enable pre-fade.)įor good housekeeping, name this bus "Dynamic Effect." Locate the track you wish to apply dynamic effects to (such as a lead vocal or guitar channel).
#Cubase 9 pro sidechain how to#
Producers typically use their main kick drum channels as the driving beat force behind this effectįollow the steps below to learn how to set up dynamic effects routing in your DAW: This application of sidechain compression achieves that distinctive ducking effect we hear in EDM, known as pumping. Ducking ambience effect returns with sidechain compression can also help make a little space in a mix, if you feel certain tracks are competing too much for attention.
The results can be used for creative rhythmic effects on single shot hits, which can be dialed in to make snares sound more explosive. Create Classic Pumping Sidechain Compression Effectsĭynamic reverb ducking is a helpful sidechain compression application, as ambiences levels are ducked based on an incoming key input signal. In addition to the video tutorial, in this article, Dan provides simple step-by-step guides below to help you get set up fast with sidechain compression routing in your DAW.
#Cubase 9 pro sidechain full#
In the video, Dan shows you 5 powerful production sidechain compression techniques you can use across full mixes, masters, effect returns and individual tracks. But did you know there are at least four other creative sidechaining applications you can explore in a mix? The pumping effect is typically the first example many producers think of first in discussions of sidechain compression. Many producers rely heavily on sidechain compression, especially when that trademark pumping effect ubiquitous in EDM production is needed for bounce and movement.
Sidechaining involves some routing which takes an output from one signal (or a portion of it) to influence the dynamic behaviour somewhere else in a mix.
(15:26) Create a sidechain filter for use with any compressor in mixing and mastering (13:13) Set up dynamic EQ ducking to carve out space automatically (10:32) Trigger modulation effects in Kaleidoscopes (6:38) Produce dynamic reverb and delay effects
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